Description
This series of works, completed in Salam Atta Sabri’s signature style, continues to explore landscapes and surroundings that inspire him. Often abstracted yet incorporating figurative elements such as faces and palms, Atta Sabri depicts fantastical scenes brimming with vibrant colours. Each piece showcases a varying density of ink lines and shapes, maintaining a consistent grid-like structure. Atta Sabri has established a signature geometric style featuring circles, semicircles, squares, rectangles, triangles, lines and undulating forms. The influence of Paul Klee, an artist introduced to Salam by his father, is also evident.
This piece, as well as many others in Atta Sabi’s current practice, reflects on collective trauma and the absence of peace in present-day Baghdad. His motifs capture the city’s essence, as seen from the balcony of his home, including the Tigris River, and the old Baghdad from both sides of the river.
Additional information
| Dimensions | 21.0 × 30.0 cm |
|---|---|
| ag_hide_price_on_website | Y |
Salam Atta Sabri
Salam Atta Sabri (b. 1953, Baghdad) is an artist who was based in the USA and Jordan for sixteen years, and in 2005 returned to his homeland, Iraq. His practice, which is primarily fantastical, colourful scenes executed in ink and colour pencils on paper, can be understood as visual diaries of his personal experiences and surroundings. Letters from Baghdad (2005-15) was first shown at the Iraq Pavilion, 56th Venice Biennale. Sabri’s collaboration with the Ruya Foundation led to commissions such as Date Palm Killing Fields series (2016), highlighting the destruction of Iraq’s date palm orchards. Sabri's art intricately weaves together Iraq’s modern art, ancient history, and his own narrative, addressing the nation's conflicts and transformations.
Salam Atta Sabri was one of the first artists commissioned for ITERARTE’s variations project. He holds a BFA in ceramics from California State University. His work is featured in the SMAK permanent collection as well as several private collections in the Middle East.
Salam Atta Sabri’s fantastical, colourful scenes usually executed in ink and colour pencils on paper have been translated into a hand-knotted wool rug as part of ITERARTE’s variations project. This version uses the traditional Tibetan methods of carpet-making, where the wool fibres are prepared before knots are individually hand-tied to single threads. The final steps are the washing, stretching, and trimming of the rug to produce the finished piece. Sabri’s signature geometric style in ‘Fantasy Series’ has been transposed into the thick textures of the wool rug, capturing Baghdad city streets with distorted shapes resembling faces and bricks.
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