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Installation view of Lydia Delikoura works at "Material Witnesses" at the ACG, Athens. Photo: Nikos Alexopoulos. Courtesy of the artist.

LYDIA DELIKOURA

 

The Yield stool and customer wallpaper commissioned for Material Witnesses at the ACG/Demos Center

The ACG/Demos Center, 17 Ipitou St., Plaka, Athens, 105 57

Monday 14 July- Thursday 31 July  | Monday 1 September- Saturday 27 September

Opening Hours: Monday- Friday, 15:00-19:00, Saturday, 12:00-18:00

Curated by Tamara Chalabi

Lydia Delikoura’s (b.1996, Athens) practice embraces decay as both medium and metaphor, interrogating the passage of time through the deliberate deterioration of materials in her experimental canvases. Her work documents entropy as an active process while challenging conventional notions of preservation in art. This philosophy extends to her collaboration with ITERARTE in this exhibition, where her paintings remain unstretched or evolve into functional objects, each bearing witness to the natural evolution of their materials. 

For this exhibition, Delikoura engages in an ongoing dialogue with curator Tamara Chalabi, immersing viewers in a site-specific installation that dissolves boundaries between artwork and environment. A fragment of one of her paintings is enlarged into a custom pink wallpaper, wrapping the gallery into a dreamlike landscape. At the centre of this room sits The Yield, a weathered found stool, which the artist described as a “treasure”, reupholstered with a section of her painting. This act challenges static notions of display while inviting interaction.

Left to right: The Small Cove (2025), 27 Dreams (2024), and The Yield (2025), by Lydia Delikoura at "Material Witnesses" at the ACG, Athens. Courtesy of the artist.

Central to Delikoura’s practice is the synergy between found objects and painted compositions. In The Yield, the stool’s warped curvature mirrors the gestural movement of her painting, creating a dialogue between the histories embedded in both materials. Surrounding the sculpture, the textured wallpaper of sequined palm trees magnifies the intricate imperfections of her process. Found sequins, meticulously deconstructed and repurposed, appear consistently throughout the works in the display, catching light unpredictably. 

Through this process of reinvention, Delikoura explores infinite possibilities of material transformation, with her use of recycled elements and salvaged objects marrying ecological consciousness with a surreal aesthetic. In Delikoura’s hands, decay is not an end, but a metamorphic force, revealing beauty in impermanence and meaning in the marks of time.

ABOUT THE ARTIST
Lydia Delikoura (b. 1996, Athens) is a Greek mixed-media artist based in Athens, known for her experimental and unpredictable exploration of diverse mediums. She is deeply inspired by natural processes of decay and metamorphosis, exploring these concepts through drawing, watercolour painting, and incorporating found objects such as sequins and hedgehog spikes. 
Delikoura has had solo exhibitions at Iris Gallerie (2025) and the Museum of Cycladic Art in Athens (2024), further solidifying her presence in the contemporary art scene. Her work has also been displayed in numerous group shows across Greece including at the Breeder Gallery, Athens (2023) and Citronne Gallery, Poros (2024). A graduate of Camberwell College of Arts, University of the Arts London (UAL), and Goldsmiths, University of London, Delikoura is currently studying marble sculpture at the School of Fine Arts in Panormos, Tinos. 

 

Lydia Delikoura
Portrait of Lydia Delikoura. Courtesy of the artist.

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